Metallics
Although I have a small (A4 wide) XCut XPress as a printing press at home, and have managed to produce some interesting prints, the lack
Although I have a small (A4 wide) XCut XPress as a printing press at home, and have managed to produce some interesting prints, the lack
Being in coronavirus lockdown mode with only a small print press for creative company can, in some ways, be a good thing. It has meant
Alongside all of the interesting conversations on printmaking I had with tutors and fellow printmakers on my USA residency, perhaps the most important thing to
Another technique for creating surface treatments on plates that I've been trying out recently is crackle texture. Until now, I've been using commercially made Crackle
I'm always looking out for different materials and methods for making collagraph printing plates. Included in my regular sources of inspiration are the blog postings
Following my previous post on this study subject (Flexures: three dimensions from two), I have produced some pieces to test the feasibility of this idea,
I am always looking for materials that create interesting textures on the printing plate. However, these textures do not always print well or consistently. In
After my visit to Tate Modern last month and my resulting thoughts around how I might ‘escape’ the two-dimensionality of my art form, I have
Since my last post, there have been a lot of changes to my printmaking practice and my working life, all of which are, or are