Chine collé on burnt plates
I have been trying to find a way of perfecting a chine collé technique for around three years (yes, really!). I have probably read dozens
I have been trying to find a way of perfecting a chine collé technique for around three years (yes, really!). I have probably read dozens
For the last few weeks I've been busy producing a lot of printing plates. All this work is in preparation for a landscape-inspired exhibition at
Last year, I made a trip to Western Iceland. This fascinating country has all the attractions you might expect from a land so far north;
One of the many lovely visitors to my stand at Printfest this year was Geraldine from Kendal. We got chatting about the prints I had
Inspired by the work of Brenda Hartill, one of my favourite printmakers, I'm now working on a vertical landscape project. Some of my previous prints,
My recent work picks up from an idea I have had whilst printing the recent work 'Moon In a Pewter Sky' (below). Like many people, I
After the last post, I went along to the Print Room at the University of Lincoln to try them out on press. Unfortunately, this didn't go
After cutting the basic shapes I needed, it was time for the exciting bit – adding the surface textures. For this new series of prints, I
Working from the quick sketches shown in my last post, it was time to start making the plates. Rather stupidly, my first attempt at cutting the
It's been a while, but following my 'Anomalies' exhibition (which ended last October), I have a new direction for my printmaking. Essentially, it's an exploration of shape